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09-Dec-2016 05:41

My work addresses experiences of heightened and primal emotion, from feverish passion to blind rage, in the form of traditional and installation-based paintings, drawings and prints, which are primarily autobiographical in nature.I am fascinated with the dualities and contradictions of human nature and examine the mind/body dichotomy through the juxtaposition of personal as public, horror as comedy, the imaginary as corporeal.Representing a deviation from the symbolic order, the concept of hybrid-beings was perceived as something marginal from society and as such managed to enter the mainstream consciousness as fascinating/disturbing curios. Moreau (1896), in which a mistrust of difference is embedded in the portrayal of cross species hybridity as inherently monstrous.This is reflected within popular literature of the time including Mary Shelley’s Frankenstein (1818) and H. Contemporary Western culture has perpetuated this dualist sense of intrigue and repulsion towards interspecial hybridity via its manifestation within medical science and its generic construct within Horror/ Science Fiction Films.In this way, my work serves to combat the stigma of women as complacent, desired object through the symbology of large or predatory animals.This rejects the association between woman with small, passive animals, particularly those that can be domesticated or tamed, such as cats and rabbits.

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Furthermore, my use of animal imagery functions to subvert traditionally ‘feminine animals’ that denote women as “inferior beings” within social hierarchy.

The notion of the human/animal hybrid or “parahuman” has been investigated throughout history, in art and mythology, as a means of understanding human experience and the world at large.

This tradition dates back to Upper Paleolithic cave paintings that served as an insight into the human desire to be at one with nature.

Within Western Art, the female form has undergone a tradition of objectification, particularly within the generic constructs of the nude.

These portraits served to place the female body as a symbol of passive beauty, positioned for the pleasure and consumption of the viewer.As biological technologies enable the physical development of hybrid organisms via stem cell research, popular culture continues to explore the parahuman as an embodiment of fear in films such as The Fly (1986) and The Wolfman (2010).



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Yes it’s a ‘risk’ but it’s little more risk than in any other dating situation. Don’t assume that because you’re being pursued or that there’s certain future talk that it ‘must’ mean that they’re over their ex and ready for a relationship. don’t assume that because they’re separated or divorced that have a Ph D in commitment or that you’ll get the same. You remember what it’s like in those first few days, weeks and even months depending on how long the relationship went on for – you may still have been in touch, arguing, negotiating, or even hooking up. You can of course chance your arm but then you have to back away when it becomes clear that the ex files haven’t been closed. If you’ve already determined your boundary on this issue, don’t bust it, I know of quite a few people who were told to wait and come back when they’d had some more time/got divorced. Most people go through a breakup or few, and it’s not a ‘flaw’ to be separated or divorced hence there’s no reason to go Some relationships and marriages don’t work out.… continue reading »


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Inspired by the motto "A picture says more than 1.000 words", he wants to provide each article with pictures that explain how people can remove all of their online profiles." You can find him on Google .… continue reading »


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